History, Sublime, Terror: Notes on the Politics of Fear

abu ghraib, adorno, aesthetic theory, affective labour, afflicted powers, after auschwitz, all quiet, alle rechte, alleged secret detentions, amnesty international, an evaluation, and benjamin, antonio negri, arcades project, art, as burke, b. ashton, ben trott, beuysian legacies, beyond beuys, blackwood gallery, c. wright mills, capitalist, capitalist vector, carl schmitt, class consciousness, claude lanzmann, constitutional rights, criminal code, critical, critical art theory, critical theory, cultural criticism, damaged life, daniel liebeskind, dick marty, douglas kellner, eastern europe, eastern front, edmund burke, edmund jephcott, enforced disappearances, for burke, fordist revolution, french revolution, from first, georg lukacs, george schwab, ghost prisoner, global, green scare, grupo de arte, guantanamo bay, h. gerth, harvard university press, hassan mustafa osama nasr, history, howard eiland, human, human rights, human rights watch, immanuel kant, immaterial labour, in kant, italian autonomist, j. clark, joseph beuys, joseph matthews, justice department, khalid el masri, legal affairs, london consortium, maher arar, margaret thatcher, maria lerm hayes, marwan jabour, max horkheimer, max weber, michael w. jennings, michael watts, middlesex university, military commissions act, minima moralia, n. jephcott, nature, negative dialectics, new left review, new york, operaist marxists, oxford university press, palgrave macmillan, patriot act, philosophical enquiry, power, relations, revolutionary, robert hullot, rodney livingstone, rolf tiedemann, samuel beckett, seamus kealy, second world war, see off, see retort, selected writings, shierry weber, social, special issue, state terror, stephen bronner, sublime, tate britain, terror, theodor adorno, theodor w. adorno, third text, two years, united states, violence, walter benjamin, war, werner s. pluhar, white house, world order, world trade center, world wars, yes men, yves klein