Shakespeare's Codex
By Timothy Burns Watson

The Shakespeare authorship has deeply puzzled thinking people for over 400 years. How could a commoner study works in foreign tongues and retell the story in a new language in the process of development? It doesn't make any sense unless he was part of an avante garde movement of the British intelligensia. How could he possibly know the words and spellings of a vocabulary only recently introduced to English by Bacon's Fra Rosy Cross literary society as loan words from Latin and Italian? His caste position alone would deny him entry into this club of pirage and privilege. What if he was a mere front man, so that the real author could hide behind the scenes rather like the beggar dressed up like a lord in the opening scene of "Taming of the Shrew"? "Shaksper" is a far cry from "Shakespeare", a totally different spelling for a totally different man, but a spelling close enough to "Shakespeare" to allow the intelligence operation to succeed in duping successive generations of bard lovers for over 400 years.
The truth is that when the author's name appeared on the first folio of plays it was hyphenated "Shake-speare", proving that it was a pen name employed by some invisible personage. Why the deception? Because the bard was a British agent employed by H.M.S.S. who required a code name to conceal his true identity. Were his identity to be revealed, he would be in danger and many of the personages of the court he was lampooning in his plays would be exposed to the general public's gaze, which would have been a serious threat to national security. So the secret had to be kept and for national security reasons has been kept for 400 years. The code name of British agent Edward de Vere was actually derived from Pallas Athena, the patron goddess of the secret writing society he worked for called The Honourable Order of the Knights of the Helmet also named in honor of Pallas, the Spear-shaker, who always shook her spear at the twin serpents of ignorance and vice and who wore the helmet of invisibility, which rendered her invisible every time she drew the visor down over her face. Initiates of Sir Francis Bacons's secret propaganda ministry would kiss the helmet of Pallas when they joined and subsequently wrote under pen names or anonymously. Bacon would refer to these propagandists as his "team of good pens". The Earl of Oxford was one such very "good pen".
Paul Streitz's book "Oxford: Son of Queen Elizabeth the I" recently created quite a stir in the international press for suggesting the author was actually the Queen's son. The Virgin Queen as she was known was not called so for her virtue, but for her occult witchcraft status as the incarnation of the moon goddess Diana otherwise known as Virginia, the virgin huntress and goddess of the moon. She had purportedly carried the child of her stepfather, Thomas Seymour, who empreganted her at the age of 16, forcing her to farm the child out for adoption to the home of the 16th Earl of Oxford to be raised as a changeling child. The secret prince would remain a state secret. A second liaison would occur with Robert Dudley, the Earl of Leicester, when Elizabeth and he were both confined to the Tower by Queen Mary. The product of that liaison would be a second child, whose identity was also concealed as a changeling child of the home of Lord and Lady Bacon. That prodigy would grow up to own one of the most illustrious names and careers in European history as Sir Francis Bacon.
The relationship forged between the half brothers allowed them to work closely on the secret writing fraternities they formed. Bacon and his brother Roger Bacon would also work closely together, spawning H.M.S.S. through their joint efforts as well as Fra Rosy Cross and The Honourable Order of the Knights of the Helmet. Bacon and his brother Roger would go on to found most of the intelligence services of the European continent and would set up Masonic and Rosicrucian Lodges throughout Europe. This explains why high-ranking officers in the British and American military and intelligence units tend to belong to secret societies like the Freemasons and Rosicrucians to this day. Promotion within military-intelligence makes Masonic or Rosicrucian affiliation a practical prerequisite.
The most prestigious Shakespeare academic journal known as The Shakespeare Quarterly is located in Washington D.C. and is run by the Folger Gallery, which Paul Streitz exposes as a fraud in his book. The Folger Gallery actually committed a crime against history and scholarship by painting over a portrait purported to be of Edward de Vere that was also said to be a painting of the real Shakespeare. The museum's motivation for perpetrating this crime was to make the bard's cranium conform to the classical notion of what "the bald guy" is actually supposed to have looked like. It is amazing indeed to think that Shakespeare scholarship is actually entrusted to custodians of this kind. Why English departments around the world are not up in arms about this only attests to the fact that something stinks in Denmark.
Some people have asked me how I could seriously believe that Bacon or Oxford wrote the plays when 99% of academia have believed otherwise for 400 years? How could such a deception be orchestrated people ask and why? The answer is really very simple. The Freemasons created and control the university degree system based on the first three degrees of Freemasonry: Entered Apprentice cooresponding with Bachelor's Degree, Fellow Craft corresponding with Master's Degree and Master Mason commensurate with Ph.D. Thus, rank within the academic establishment is defined not by the pursuit of truth, but with one's adherence to the fascist and duplicitous aims of the most powerful crime syndicate in the world - Freemasonry. Intellectual prostitutes are of higher degree and gain all the privilege, while genuine philosophers are relegated to the bottom of the social pyramid and denied tenure. Here I am lanquishing at the bottom of the academic world for espousing truths, but I'm the better man for it I console myself.
Revealing the truth about the authorship of the Shakespeare plays has grave implications for both British and American national security because it exposes the modus operandi of the front man used in so many of their clandestine operations A.K.A. John Wilkes Boothe, front man for the Lincoln assassination, Lee Harvey Oswald patsy for JFK assassination, Timothy McVeigh, front man for the Bureau of Alcohol,Tobacco and Firearms operation to sabotage the Murrah Building in order to destroy the files on the highly reactive vaccinations given to the Gulf War Vets now suffering and dying from Gulf War Syndrome, Osama bin Laden, boggy man for 9/11 inside job for planned second Pearl Harbor, pretext for invasion in oil rich countries of the Middle East, etc. That is why the Shakespeare Quarterly and Folger Gallery are located in Washington, D.C. The hawks in Washington want to keep a very close eye on Shakespeare criticism to ensure that the front man, Will Shaksper, gets all the press, while articles about the Oxford/Bacon connection continue to be suppressed. I leave you with one final question: Why are discoveries and insights like this not seen in popular bestsellers and mainstream news media publications? You may now be able to answer such questions for yourself.