fix articles 160729, centro cultural de la raza
Gustavo Arellano: How Mexican Food Conquered the U.S. (tags)
Gustavo Arellano, who in the last decade has risen from food editor at the O.C. Weekly in Orange County to investigative reporter at the paper and author of the popular syndicated column “¡Ask a Mexican!,” a witty send-up of anti-Mexican stereotypes published in at least 38 media outlets, came to San Diego April 11 to promote his latest book, "Taco U.S.A.: How Mexican Food Conquered America."
Occupy 2.0 (tags)
Photos of the Occupy San Diego three-month anniversary march January 7 downtown and an interview with Occupy activist and former hunger striker John Kenney on his ideas for the future of the movement.
San Diego Hosts Three May Day Rallies (tags)
San Diego hosted no fewer than three rallies on Sunday, May 1 — one between the Centro Cultural de la Raza and World Beat Center in Balboa Park, followed by a march to the Federal Building downtown where the second rally was held, and a third at the San Diego Community Concourse that united the participants with another set of marchers, who had assembled earlier in the morning in Chicano Park, also for a walk downtown. The rally speakers focused on a wide variety of progressive issues — workers’ rights, education cutbacks, health care, immigrants’ rights, war and peace, Queer liberation — and attempted to draw connections between them and psych the participants for the long struggle ahead to preserve and extend those rights in the face of a relentless assault on them by the radical Right.
Chicano Arts Pioneer Takes On Globalization and War (tags)
Pioneering Chicano artist Malaquias Montoya was present at the creation of the Chicano rights movement in the late 1960’s and early 1970’s, being one of the organizers of the Mexican American Liberation Arts Front (MALAF) who helped create the images of that movement. But he’s also involved with current social and political controversies. In his show “Globalization and War: The Aftermath,” through March 4 at the Centro Cultural de la Raza in Balboa Park, he takes on Guantánamo, Abu Ghraib, the U.S. government’s rationalization of torture (“softening them up for interrogation”), the growing gap between rich and poor in the U.S. and throughout the world, and other progressive themes in a bold, assertive and often brutal style derived from 20th century New York artist Ben Shahn and the Mexican muralists Orozco and Siquieros.