{"article":{"id":13398,"heading":"N + R event description and analysis","author":"Rachel Mayeri","created":"2001-12-07 04:28:41","modified":"2015-12-18 10:15:28","last_modified":"Fri, 18 Dec 2015 17:15:28","article":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p>In the context of media monopoly, and the censorship of <br>  <br> network news by the military, alternative media is <br>  <br> scoring some successes.  A well-attended event at Los <br>  <br> Angeles Contemporary Exhibitions, organized by Nomads <br>  <br> and Residents, brought together three activists who are <br>  <br> using video and the internet to bring about political <br>  <br> and cultural change.  The presentation stimulated an <br>  <br> energetic debate among the participants and the <br>  <br> audience about media representation and U.S. actions in <br>  <br> Afghanistan, demonstrating the continued importance of <br>  <br> face-to-face discussions outside of university and <br>  <br> other institutional forums. <br><br> Meena Nanji began the evening by showing a pilot for <br>  <br> her documentary about Afghan refugee women in camps in <br>  <br> Northern Pakistan.  When asked about her thoughts about <br>  <br> the now well-known documentary, \"Beneath the Veil,\" by <br>  <br> Sarai Shah, she said that the documentary had failed to <br>  <br> provide political and historical context for the <br>  <br> condition of women in Afghanistan.  She spoke about the <br>  <br> difficulty for documentary-makers to receive funding or <br>  <br> be distributed (as Shah's piece was by CNN - with <br>  <br> substantial editing) when their work does connect <br>  <br> social realities with political action.  She left the <br>  <br> day after the discussion for Pakistan to continue to <br>  <br> work on her project. <br>  <br> Shahid Nadeem, a playwright and TV director from <br>  <br> Pakistan, showed an episode of his series of television <br>  <br> dramas which were shown in Northern Pakistan, in the <br>  <br> ethnic Pashtun region.  The episode was based on an <br>  <br> actual account of an honor killing that, surprisingly, <br>  <br> occurred among the professional class.  A woman who was <br>  <br> pursuing a divorce from her abusive husband was killed <br>  <br> by her own brother, with her mother and father's <br>  <br> support, in the office of her lawyer.  The series has <br>  <br> apparently created an active dialogue among its <br>  <br> audience when it was shown last summer.  <br><br> Sonali Kolhatkar, part of an organization dedicated to <br>  <br> supporting human rights for Afghan women (Afghan <br>  <br> Women's Mission), discussed the state of the <br>  <br> Revolutionary Association of the Women of Afghanistan <br>  <br> (RAWA).  A $100-a-head celebrity-studded fundraiser for <br>  <br> RAWA was occurring later that week at Track 16, an art <br>  <br> gallery in Bergamot Station.  Kohatkar noted that the <br>  <br> internet was substantially responsible for spreading <br>  <br> the word about RAWA around the world (although she <br>  <br> bemoaned the endless email petitions spawned by an <br>  <br> na&iuml;ve activist with an inadequate server).<\/p>\n<\/body><\/html>\n","contact":"rmayeri@ucsd.edu","link":"","address":"","phone":"","parent_id":0,"mime_type":"text\/plain","summary":"Below is a discription and discussion of the N + R event.","numcomment":0,"fileurl":"\/uploads\/","filesize":null,"article_url":"\/news\/2001\/12\/13398.php"},"attachments":[],"comments":[]}