(see next sections of this in "comments" section below!)
(this is much better hand-written/drawn, but i lack resources to change that, at this *point*)
some people just gotta have it, gotta have war. (bear with me please) But they don't know that there's a difference between always society war (a form of low intensity war) and world elite routine severe alienation war...aNd there's also another t o t a l l y other formulation of this thing we *like* so much about 'war' war war war war!
NOT MARTIAL ARTS war, mind you,
but
cRuCiaL aRtS waR!
CruciaL aRts(z) war--
The CLASH of hearts FINALLY SPEAKING,
processing, being & becoming;
ju-jitsuing planted colonization traps!
ARtinG our deepest desires in process!
Permitting ourselves!
RealizinG the vaLue of being radically excellent and/or beautiful with each other!
(not that there's a hierarchy of rigid value; it's all informal human beings daring to be their HEARTS in continually becoming depth arts(z)!)
*************************************
(i's/you's could use funding. i's/you's could use critical thinking. i's/you's could if others would. If not, i's'll (and you's'll?) go on & continue anyway, 'cutting' bigger corners--hey, i kinda like being thinner again finally, anyway!)
*************************************
MARTIAL ARTS?
yOU've known it since you were a kid
encouraged to fight to
go to meaningful depth.
Yet now such becomes so old, so over-done, so fucking fucked-up.
cRuciAL aRts?
Old wayz with the new!
Pow-Wow-Pows dancing at multiversities of phires, AIM 'activists' tryin to compell their semi-colonized wills, us all artinG back and forth, til we start to see!
Ganja peace circles, Beer peace circles, Liquor Peace Circles, aNd so on
Drink and/or 'drug' til ya drop.
Then we see some of our truths &
move on to another tes(z)t.****
Shall we (critter crawlin on my paper too) always be reduced
to fearing, punching, kicking, biting, destroying?
i don't kno about yOu, but:
i's aM mUCH MORE & look,
some of i's, it's 'just *us*' to SOAR, to coRe, to
cruciaL aRtS rOaR! (and thus, cruciaL artS(z) goes to 'war'.)
(****denotes old-style art-texting that puts both "s" & "z" together in one letter)
(next section is "Handling G.I. Joe" in comment area below!)
(a little craZy po-eh-tree heaviness for thoze who like art imaging ness: )
G.I. Joe is over there on his path just a few seconds before he is 'obliterated' in an explosion.
i's spirit comes in from another dimension floating in a trippie(y)-looking craft
S L O W - M O (Joe as slo-mo too)
Just as Joe is compelled away, i & a greaT loVinG doG in the sky do a fly by
(that is, i guess we were floating there waiting for a crucial moment in your 'not able to listen' and
your planet came speeding by (at thousands of miles per hour) & we reached out & kinda touched you (heh), but more like "grabbed" you---with 'kid gloves' &
brought yOu into our LoVe stYLe wayz.
. . . . . . . . . wayZ(s) that make your eyes sparkle,
your heart wanting to love living again.
"Love living?" retorts a surprised young/old G.i. Joe, "Why I Love living right back there, shooting and killing with all those supersofisticated death machines and shit! Fuck, I'm livin' more than I ever have!"
*"So sad,"* we reply. *"But 'sexy', i/we suppose. All those big-dick guns and automatic come-shots and climax orgasms of fire...all that fucking each other...oh, can humanity get any 'higher'?"*
"Huh???!?" says Joe.
(go to next comment below..."a realistic sketch")
III.
(now to a realistic sketch)
so. You've HAD IT with shit shit shit & you're on the brink
of war war war WAR W A R goddammnit!
And your demonized enemy is also ready to go.
But then strange ==music== is heard.
Wha tha fu--?
NOISE really, lots and lots of it, from seemingly everywhere. And then, what's that?????????
Michael Jacko singing as a kid, singing 'A,B,C, 1-2-3'!??
And then a clan of Scottish pipers piping in
& then a little heavy metal &
some uni-fie(y)d (w)rapperz(s) spinnin right in
in a jazzy-ass way
&
y'all can't help but stand there with your mouths hanging open
and then how about them comedians who also finally escaped corralled stages? Whattya think they might then do?
and after awhile, once the ol' frame of reference of 'consumer'/'audience' has kicked in,
an aRmY of maNy others(z) and others still (maybe the funda-mentalist religionists), all aRtiNg ourseLves
(up to our imagin-ation!)
(see next...!)
IV.
Dissent Welcome!
"Dare deeper than the roots on every issue of your concern, to where the roots systematically come from, --the heart of the matter. To realize the depth value of seeking the *root of the roots*---to the HEART!"
"The reasonable man adapts himself to the world; the
unreasonable one persists in trying to adapt the world to himself. Therefore all
progress depends on the unreasonable man."--George Bernard Shaw (note: i don't bow down to him, i just like dis ideah!)
Imagine living in a world
where people
began to realize
the VALUE
of deep, on-going efforts
to get along
and understand each other
BEYOND perpetual war (at home and abroad).
Imagine a kind of society which encourages and rewards people
for their *ability* to openly dissent AS WELL AS empathize with others!
All towards an inclusive idea of
*mutually beneficial outcomes*.
If you can still allow yourself to imagine such a world, or something like
this, then you may have the kind of excellent *indomitable* spirit that
i'm seeking to enhance and promote and put into motion, via a way of doing
things that i call the *Crucial Arts*.
The Crucial Arts is a way of doing things deeply rather than superficially,
or in the case of social issues, seeking root or heart change rather than
mere reform. The Crucial Arts is a vision for being, thinking, and doing in ways
that not only utilize known ways as tools, but as well yet not-known ways. The
bottom line being a *need* for the unique arting input of a multiversity of
creativity, especially yours! Your arting style of desiring to not
merely survive but also THRIVE--in order to make visions and
community that perpetually include (rather than exclude or dominate) towards
meaningful depth, or going *to the heart* of matters.
The pages herein are meant to stir up your independent-minded creativity and
visionary desire with in-the-heart visions, art, spoken word, ideas, and
analysis which you won't usually find easily.
(more below in comments section!)
(continued from 'author' portion)
....becoming bridgings, connections, ju-jitsuing severely alienated care into less alienating care, arting together (more and more crucially), realizing the value of radically empathizing
anti-copyright, pass around with heart-speed if yOu like.
V.
Intro to the Crucial Arts
Basically, doing the *Crucial Arts* is an attitude, a way of thinking,
becoming, being, and interacting--towards an openly challengeable claim
of *mutually beneficial outcomes* (MBO's). It is a way of creative liberation,
beyond the confines of ideology and every political imagination i've seen.
Beyond Givens
The philosophy of the Crucial Arts proves the value of
waking up to and moving beyond the coerced Givens so normalized in our
War-subordinated societies (a). Givens (i.e. "This is The Way Things Are So You
Better Get Used To It") are spoon-fed to persons systematically alienated and
divided from their desires and made to subordinate to the interests and severely
alienated beliefs of the terrorist elite, whether manifesting as States, kings,
or gurus (b).
For instance, the Martial Arts claims great ideals, yet for centuries this
way has practiced war--maiming and killing--as its most integral way of
interacting with rigid systems and their forced or manipulated fighters. There
is no liberation here, only two groups of highly manipulated persons seeking to
impose their wills on the other, often at the behest of their leader, or
"master".
The Crucial Arts provides an escape.
As well, the Crucial Arts *also* shows the folly of rigidly pacifist
nonviolence, providing an escape from that ghetto as well. Both ways have some
value, given extreme contexts, yet are so limiting of their adherents' potential
that they prove, as rigid systems often do, to be more boon to stated ideals
than alleged progressions.
"If maiming and killing solved anything, we would have been living
free of the problems they allegedly solve long ago."--unattributed
On the other hand, the Crucial Arts seeks to utilize, as its main mode of
vision, operation and interaction, the broad imagination potential and
creativity of its utilizers, each taking various leading roles as they dare.
Underlying the proactive "action" face of the Crucial Arts is the general
seeking of community and mutual aid of *individuals* with other individuals
(i.e. persons liberated from the confines of ideology) towards a *multiversity*
of inter-dependent persons, groups, and camps seeking excelling beautifulness.
Not that being "beautiful" necessarily means a rigid orientation to what many
people seem to think of when they think of "utopia" or "peace". Instead, the
Crucial Arts way is a way of *being real* with each other in non-moralistic ways
(wanting even to escape from the rigid underlying demands of what "morality"
supposedly stands for)(d).
So, to draw up an illustration, the Crucial Arts is a militant style of
peace, seeking to embrace the indomitable spirit of rebels and challengers,
while not letting the ways in which they are tooled (by the domineering
paradigm) continue to mine and tool us. Thus we realize the value of
indivudially choosing to avoid or jiu-jitsu that both overt and covert social
conditioning which has tooled us--so that we may most freely move towards our
most basic loved desires.
Such as our most basic *desires* of wanting beautiful meaning in our lives.
Of wanting to live excellently, fully, and even wildly! Our most basic desires
to utilize the imagination and intuition we usually learn to distrust and
suppress in our schooling years. These desires we often nurse and secretly hold
onto underneath layers and layers of armor in what become, over time, the
fortresses of ourselves.
"Why can't we all just get along?"--Rodney King, victim of
municipal soldier brutality
Extremes
Whether we are so-called "idealistic" and "naive", or
well-seasoned in the worst stupidities of humanity, both extremes long to find
ways to get along with others in meaningful ways. We just don't accept the idea
that it's so-called "human nature" to continue waging varying amounts of
stupidity at each other. Nor do we accept the belief, popular today amongst
vanguards and intellectuals today, that subtle coercion--aka the "manufacture of
consent" is the way towards sanity. We know in our hearts that it *is possible*
to basically cooperate, even when we don't have too many experiences. We see the
impediments, and they are usually having nothing to do with individual people so
much as organized people (e). To at the very least keep bridges between each
other which may prove mutually beneficial as mutual trust builds.
On the other hand, maiming and killing people destroys bridges with others,
since people are forced to hide or suppress their true feelings when violence or
threatened violence coerces so-called bridges.
"A man convinced against his will is of the same opinion still."
So, the Crucial Arts is a way of proceeding towards this connection in both
micro and macro--with each other as individuals (the micro), and each other as
communities or camps (the macro).
To actually attain this depth of connection with others, whether in defensive
mode or *on the offensive*, we see that we must find ways to escape the traps
that keep us rigidly divided from each other.
The way i've found to escape those traps is by *going to the heart* of
situations personal and seemingly impersonal. Going to the heart means to find
out what situations perpetuate challenges, either to our own thinking and
beliefs, or those of others. The best way i've found in my imperfect search is
the way of mutually beneficial liberation.
So, the crucial arts is a way of doing things which first uncovers and
demystifies, and then explores ways of doing things that liberate our
imaginations and desires. For me, this means playing with and working at ways of
promoting escapes and liberations from the situations and beliefs which keep
people feeling powerless and lost, and thus prime product for exploitation and
mining.
In order to go seriously towards such escapes and
liberations, we're going to have to realize the value of "digging deeper"
than what we've previously imagined--because every way we have so far dug has
proved to not solve the problems we face! And such problems, or challenges,
continue to crop up in new forms!
It is here that i say we need to *go to the HEART*, to the CRUX of things; to the place that perpetuates the same old
consequences and allows them to thrive--and "mess with" that. To become
conscious of these realities via empathy, walking in another's moccasins, and
realizing the value of doing so. Thus we evolve!
A way i have found to go to the heart
is to help spread deep ideas, experiences, and insights, as already articulated by as broad a spectrum of people as possible.
And to promote a continued orientation to critical thinking about
situations which many seem to uncritically overlook.
If you know of any art, spokenword, critiques, and visionary writings on
topics across the spectrum which help shed light on a broad picture,
please email me at intheheart2 [at] ziplip.com
upcoming points:
direct action: interactors and teams
*spanarchy* (a social system which
incorporates the stated and idealized ideals of all systems, thought of and yet
to be thought of.)
reFerences:
a) for a broad crucial arts-styled analysis see here; for a more general page
of crucial depth see here. b)
a reference to the terrorist elite comes from the excellent insight of John
Trudell when he speaks of states and their minions not having "power" so much as
the ability to carry out military terrorism. See his 'We Are Power' speech for more info
on this idea and way of looking. c) spanarchy link forthcoming d) see this critique of morality e) See Aldous Huxley (in _Brave New World--REVISITED_) on the
danger of "uniform man" and man becoming an "automaton"
Further reading:
1) The closest Euro-centric political theory i've found to the Crucial Arts and spanaRchY is the post-left methodology. See Jason McQuinn's article on this. See also C.A.L.'s (Columbia Anarchist League) "As We See It" manifesto (?). (note: i claim that spanarchy encompasses post-Left anarchist analysis, claimed ideals, amongst other analyses and ideals that resonate also; yet goes possibly further in a old/new "rendition")
2) "The Revolution of Everyday Life" by Raoul Vaneigem