'Liberal' is a dirty word for George Carlin

Michael Deeds
The Idaho Statesman
Jan. 24, 2004 12:00 AM

No other comedian consistently tweaks as many nerves, churns as many stomachs and terrorizes as many conservatives as George Carlin.

The man is a menace.

"The more resistance and discomfort I can feel from the audience, the better I feel," Carlin explains contentedly in a phone interview. "The happier I am."

Being a gleeful irritant has its perks. Carlin's resume includes 24 albums, 12 HBO specials, three Grammy Awards and five Emmy nominations. His next book, "When Will Jesus Bring the Pork Chops," will be published later this year. Carlin also will enjoy his most significant acting role to date in this year's "Jersey Girl," which co-stars Ben Affleck and Jennifer Lopez.

At age 66, Carlin stands alone in his class.

Question: There aren't many big comedians over the age of 40. What keeps you so successful?

Answer: Uh, quality. It's a fact. I'm one of the best ones out there. I sell 250,000 tickets a year. There aren't many comedians in my age group that do that. Cosby probably does that ... I'm kind of singular now. I mean, I'm not being boastful or conceited. I'm being an accurate reporter of the facts. I'm pretty good at this. The reason it's lasted so long is I continue to grow and turn out new material.

Q: You don't do a lot of topical, current event comedy, do you?

A: I don't like topical stuff. It's too easy. Anybody can make fun of Bush. Hillary Clinton. Monica Lewinsky. Mike Tyson. That ... ain't hard. That's like shooting fish in a barrel. So I prefer going at things from an odd angle, different angle. I'm doing stuff about suicide ... I'm doing stuff about the fabric of space-time splitting open. I'm doing stuff about being a modern man with the language. So I'm just different, you know?

Q: Is being dark as important to you now as it was earlier in your career?

A: I don't know that I ever was (dark) - except now. I like testing people's limits. I like finding out what an audience feels uncomfortable with and pushing on that. That's the fun of art.

Q: You're known as a very liberal comic. Are you trying to change people's political views when you go out there? Do you have an underlying agenda?

A: No. First of all, I'm not liberal. I'm just about (being) anti-United States. I don't like the way this country operates. I think we've ruined this place. And I think it's largely because of businessmen. And businessmen are not liberals. So if that makes me a liberal, then that's just an association. It's not a choice. ...

I do not care about changing anybody. Nobody. I go out there to show the rest of the Americans how badly they're doing. This country has been, for about 180 years now, badly mishandled. And it's been in the wrong hands. It's been in the hands of the business interests.

And a lot of the beauty of this country has been shattered by them. The physical beauty and the kind of institutional beauty that was originally built into this place - this experiment, this magnificent experiment in democracy is just being shredded to pieces by these right-wing Christians, the Ashcroft branch of Republicanism. (They're) just shredding the rest of the Bill of Rights which hadn't been shredded already. (But) they'd been doing a pretty good job on it up until then, anyway.

Q: Do you feel like this country has progressed any way, shape or form in the past 20 years?

A: Everybody's got more jet skis and Dustbusters now and sneakers with lights in them. They've got more cheese on their thing that they buy. They get double helpings. See, Americans measure all their progress in the wrong way. They measure by quantity and by gizmos and toys. And not by quality and by things that are important.

The most interesting thing to me is that the things that people would seem to have the most right to have - that is to say health, food, shelter and a job are the things that are last on the list. To me, that is fundamental. Those are the things humans most need to function, and we have placed them at the bottom of the list. So I think that says a lot about national character and priorities
See also:
http://www.azcentral.com/ent/front/articles/0124carlin24.html

> I sell 250,000 tickets a year.

> See, Americans measure all their progress in the wrong way. They measure by quantity




RE: the most important things


> - health, food, shelter and a job


> we have placed them at the bottom of the list.


Actually the mass media has - all those glittery gadgets that are at the top of the list are exactly what they market to us, like;


> 24 albums, 12 HBO specials, three Grammy Awards and five Emmy nominations.


Double-speak may be entertaining but when attention spans are such that people forget even what they just read and fail to "connect-the-dots" this kind of shallow thinking only encourages stupidity.

I've seen Carlin say just about everything under the sun for a laugh. While he may be humourous he obviously doesn't spend the time he wants us to believe he does to "come up with new material" - that's all he does at best.

If you carefully look over the positions he's taken over the years you clearly see his "wishy-washyness". Being annoying (like the archie bunker character) is part of his act.

The views and attitudes he's expressed over the years sum up to that as his primary contribution - and he's made a profit off it as a businessman.

Hear hear Hex. You hit the nail on the head.

This man's claim to fame is that he said dirty words on the radio, and those words became illegal for broadcast.

Once the networks decided they really *needed* to use those words, to compete with cable tv for advertisers, they opened a loophole to allow the word "fucking" to be broadcast.

Today, he talks "values" and has become some kind of cranky old retro-boomer. His appeal to quality not quantity is ironic, given that one of this big comeback hits 20 years ago was "A Place for My Stuff" about how much crap we all have.

He doesn't remember that his was the first generation that valorized the "ad man" and established the business of Marketing. The hippies and counterculture were the product of an affluent society that could turn rebellion into fashion, where, in fact, fashion-rebellion was considered the essence of rebellion.

Carlin is part of the Spectacle. He's part of the television, internet, even this website, and all forces that compel people to consume images instead of taking action.

I had to blink twice and reread it again.

An accurate on-the-money post by Hex.

No kidding!

A first!

They're not laughing now.

- Bob Monkhouse, English entertainer.