The Alien Grip on Our News and Entertainment Media Must Be Broken
There is no greater power in the world today than that wielded by the manipulators of public opinion in America. No king or pope of old, no conquering general or high priest ever disposed of a power even remotely approaching that of the few dozen men who control America's mass news and entertainment media.
Their power is not distant and impersonal; it reaches into every home in America, and it works its will during nearly every waking hour. It is the power that shapes and molds the mind of virtually every citizen, young or old, rich or poor, simple or sophisticated.
The mass media form for us our image of the world and then tell us what to think about that image. Essentially everything we know -- or think we know -- about events outside our own neighborhood or circle of acquaintances comes to us via our daily newspaper, our weekly news magazine, our radio, or our television.
It is not just the heavy-handed suppression of certain news stories from our newspapers or the blatant propagandizing of history-distorting TV "docudramas" that characterizes the opinion-manipulating techniques of the media masters. They exercise both subtlety and thoroughness in their management of the news and the entertainment that they present to us.
For example, the way in which the news is covered: which items are emphasized and which are played down, the reporter's choice of words, tone of voice, and facial expressions; the wording of headlines; the choice of illustrations -- all of these things subliminally and yet profoundly affect the way in which we interpret what we see or hear.
On top of this, of course, the columnists and editors remove any remaining doubt from our minds as to just what we are to think about it all. Employing carefully developed psychological techniques, they guide our thought and opinion so that we can be in tune with the "in" crowd, the "beautiful people," the "smart money." They let us know exactly what our attitudes should be toward various types of people and behavior by placing those people or that behavior in the context of a TV drama or situation comedy and having the other TV characters react to them in the Politically Correct way.
Molding American Minds
For example, a racially mixed couple will be respected, liked, and socially sought after by other characters, as will a "take charge" Black scholar or businessman, or a sensitive and talented homosexual, or a poor but honest and hardworking illegal alien from Mexico. On the other hand, a White racist -- that is, any racially conscious White person who looks askance at miscegenation or at the rapidly darkening racial situation in America -- is portrayed, at best, as a despicable bigot who is reviled by the other characters, or, at worst, as a dangerous psychopath who is fascinated by firearms and is a menace to all law-abiding citizens. The White racist "gun nut," in fact, has become a familiar stereotype on TV shows.
The average American, of whose daily life TV-watching takes such an unhealthy portion, distinguishes between these fictional situations and reality only with difficulty, if at all. He responds to the televised actions, statements, and attitudes of TV actors much as he does to his own peers in real life. For all too many Americans the real world has been replaced by the false reality of the TV environment, and it is to this false reality that his urge to conform responds. Thus, when a TV scriptwriter expresses approval of some ideas and actions through the TV characters for whom he is writing, and disapproval of others, he exerts a powerful pressure on millions of viewers toward conformity with his own views.
And as it is with TV entertainment, so it is also with the news, whether televised or printed. The insidious thing about this form of thought control is that even when we realize that entertainment or news is biased, the media masters still are able to manipulate most of us. This is because they not only slant what they present, but they establish tacit boundaries and ground rules for the permissible spectrum of opinion.
As an example, consider the media treatment of Middle East news. Some editors or commentators are slavishly pro-Israel in their every utterance, while others seem nearly neutral. No one, however, dares suggest that the U.S. government is backing the wrong side in the Arab-Jewish conflict and that it served Jewish interests rather than American interests to send U.S. forces to cripple Iraq, Israel's principal rival in the Middle East. Thus, a spectrum of permissible opinion, from pro-Israel to nearly neutral, is established.
Another example is the media treatment of racial issues in the United States. Some commentators seem almost dispassionate in reporting news of racial strife, while others are emotionally partisan -- with the partisanship always on the non-White side. All of the media spokesmen without exception, however, take the position that "multiculturalism" and racial mixing are here to stay, and that they are good things.
Because there are differences in degree, however, most Americans fail to realize that they are being manipulated. Even the citizen who complains about "managed news" falls into the trap of thinking that because he is presented with an apparent spectrum of opinion he can escape the thought controllers' influence by believing the editor or commentator of his choice. It's a "heads I win, tails you lose" situation. Every point on the permissible spectrum of public opinion is acceptable to the media masters -- and no impermissible fact or viewpoint is allowed any exposure at all, if they can prevent it.
The control of the opinion-molding media is nearly monolithic. All of the controlled media -- television, radio, newspapers, magazines, books, motion pictures -- speak with a single voice, each reinforcing the other. Despite the appearance of variety, there is no real dissent, no alternative source of facts or ideas accessible to the great mass of people that might allow them to form opinions at odds with those of the media masters. They are presented with a single view of the world -- a world in which every voice proclaims the equality of the races, the inerrant nature of the Jewish "Holocaust" tale, the wickedness of attempting to halt the flood of non-White aliens pouring across our borders, the danger of permitting citizens to keep and bear arms, the moral equivalence of all sexual orientations, and the desirability of a "pluralistic," cosmopolitan society rather than a homogeneous one. It is a view of the world designed by the media masters to suit their own ends -- and the pressure to conform to that view is overwhelming. People adapt their opinions to it, vote in accord with it, and shape their lives to fit it.
And who are these all-powerful masters of the media? As we shall see, to a very large extent they are Jews. It isn't simply a matter of the media being controlled by "corporate interests." If that were the case, the ethnicity of the media masters would reflect, at least approximately, the ratio of rich Gentiles to rich Jews. The preponderance of Jews in the media is so overwhelming, however, that we are obliged to assume that it is due to more than mere happenstance.
Electronic News & Entertainment Media
Continuing government deregulation of the telecommunications industry has resulted, not in the touted increased competition, but rather in an accelerating wave of corporate mergers and acquisitions that have produced a handful of multi-billion-dollar media conglomerates. The largest of these conglomerates are rapidly growing even bigger by consuming their competition, almost tripling in size during the 1990s. Whenever you watch television, whether from a local broadcasting station or via a cable or a satellite dish; whenever you see a feature film in a theater or at home; whenever you listen to the radio or to recorded music; whenever you read a newspaper, book, or magazine -- it is very likely that the information or entertainment you receive was produced and/or distributed by one of these megamedia companies.
The largest media conglomerate today is AOL, which bought out Time Warner for 0 billion early in 2000. The merger brought together Steve Case, a White Gentile, as Chairman of the new AOL, and Gerald Levin, a Jew, as the CEO. Although AOL isn't (yet) run entirely by Jews, the effect of this blend of leadership between a White capitalist whose biggest concern is money and a racially conscious Jew will be gradually to increase the Jewish influence within AOL. Steve Case won't complain when Gerald Levin begins hiring mostly Jews to fill key positions beneath him because Case's own profits won't be affected. After Case dies or retires, the Jews will have complete control at AOL.
Before the merger, AOL was the largest Internet service provider in America, and it will now be used as an online platform for the Jewish content from Time Warner.
Time Warner, Inc., with 1997 revenues of more than billion, was the second largest of the international media leviathans when it was bought by AOL. Levin, chairman and CEO of Time Warner, had bought Turner Broadcasting System in 1996 from Ted Turner, who had been one of the few Gentile entrepreneurs in the media business. Ted Turner, as the company president, is the number three man at the new AOL, after Case and Levin.
When Ted Turner, the Gentile media maverick, made a bid to buy CBS in 1985, there was panic in media boardrooms across the nation. Turner had made a fortune in advertising and then had built a successful cable-TV news network, CNN, with over 70 million subscribers. Although Turner employed a number of Jews in key executive positions in CNN and had never taken public positions contrary to Jewish interests, he is a man with a large ego and a strong personality and was regarded by Chairman William Paley and the other Jews at CBS as uncontrollable: a loose cannon who might at some time in the future turn against them. Furthermore, Jewish newsman Daniel Schorr, who had worked for Turner, publicly charged that his former boss held a personal dislike for Jews.
To block Turner's bid, CBS executives invited billionaire Jewish theater, hotel, insurance, and cigarette magnate Laurence Tisch to launch a "friendly" takeover of the company, and from 1986 until 1995 Tisch was the chairman and CEO of CBS, removing any threat of non-Jewish influence there. Subsequent efforts by Turner to acquire a major network were obstructed by Levin's Time Warner, which owns nearly 20 percent of CBS stock and has veto power over major deals. When his fellow Jew Sumner Redstone offered to buy CBS for .8 billion on September 7, 1999, Levin had no objection.
Thus, despite being an innovator and garnering headlines, Turner never commanded the "connections" necessary for being a true media master. He finally decided if you can't lick 'em, join 'em, and he sold out to Levin. Ted Turner is in one respect a reflection of Steve Case. Both of these White men are capitalists with no discernible degree of racial consciousness or responsibility.
Time Warner's subsidiary HBO is the country's largest pay-TV cable network. Until the purchase in May 1998 of PolyGram by Edgar Bronfman, Jr., Warner Music was America's largest record company, with 50 labels, the biggest of which is Warner Brothers Records. Warner Music was an early promoter of "gangsta rap." Through its involvement with Interscope Records (prior to Interscope's acquisition by MCA), it helped to popularize a genre whose graphic lyrics explicitly urge Blacks to commit acts of violence against Whites.
In addition to cable and music, Time Warner is heavily involved in the production of feature films (Warner Brothers Studio, Castle Rock Entertainment, and New Line Cinema) and in publishing. Time Warner's publishing division (editor-in-chief Norman Pearlstine, a Jew) is the largest magazine publisher in the country (Time, Sports Illustrated, People, Fortune).
AOL has absorbed Time Warner financially, but ideologically it is Time Warner that has infected AOL. Levin has lost none of his ability to pervert our culture. Steve Case certainly will not interfere with whatever plans Levin has in that respect, since money is what he cares about. If he can get richer by letting Levin promote anti-White music on the Internet while keeping White patriots out of AOL chatrooms, it's all the same to him.
The second-largest media conglomerate today, with 1997 revenues of billion, is the Walt Disney Company. Its chairman and CEO, Michael Eisner, is a Jew. The Disney empire, headed by a man described by one media analyst as "a control freak," includes several television production companies (Walt Disney Television, Touchstone Television, Buena Vista Television) and cable networks with more than 100 million subscribers altogether.
As for feature films, the Walt Disney Motion Pictures Group, under Walt Disney Studios, headed by Joseph E. Roth (also a Jew), includes Walt Disney Pictures, Touchstone Pictures, Hollywood Pictures, and Caravan Pictures. Roth founded Caravan Pictures in January 1993, and it is now headed by his fellow Jew Roger Birnbaum. Disney also owns Miramax Films, run by the Weinstein brothers, Bob and Harvey, who have produced such ultra-raunchy movies as The Crying Game, Priest, and Kids.
When the Disney Company was run by the Gentile Disney family, prior to its takeover by Eisner in 1984, it epitomized wholesome, family entertainment. While it still holds the rights to Snow White, the company under Eisner has expanded into the production of a great deal of so-called "adult" material.
In August 1995, Eisner acquired Capital Cities/ABC, Inc., which owns the ABC Television Network, which in turn owns ten TV stations outright in such big markets as New York, Chicago, Philadelphia, Los Angeles, San Francisco, and Houston. In addition, it has 225 affiliated stations in the United States and is part owner of several European TV companies.
ABC's cable subsidiary, ESPN, is headed by president and CEO Steven Bornstein, who is a Jew. The corporation also has a controlling share of Lifetime Television and A & E Television Networks cable companies, with 67 million subscribers each. ABC Radio Network owns 26 AM and FM stations, again in major cities such as New York, Washington, and Los Angeles, and has over 3,400 affiliates.
Although primarily a telecommunications company, Capital Cities/ABC earned over billion in publishing in 1997. It owns seven daily newspapers, Fairchild Publications (Women's Wear Daily), Chilton Publications (automotive manuals), and the Diversified Publishing Group.
Number three on the list, with 1997 revenues of just over billion, is Viacom, Inc., headed by Sumner Redstone (born Murray Rothstein). Viacom, which produces and distributes TV programs for the three largest networks, owns 13 television stations and 12 radio stations. It produces feature films through Paramount Pictures, headed by Jewess Sherry Lansing. Redstone acquired CBS following the December 1999 stockholders' votes at CBS and Viacom.
Viacom's publishing division includes Simon & Schuster, Scribner, The Free Press, and Pocket Books. It distributes videos through over 4,000 Blockbuster stores. It is also involved in satellite broadcasting, theme parks, and video games.
Viacom's chief claim to fame, however, is as the world's largest provider of cable programming, through its Showtime, MTV, Nickelodeon, and other networks. Since 1989 MTV and Nickelodeon have acquired larger and larger shares of the juvenile television audience. Redstone, who actually owns 76 per cent of the shares of Viacom, until recently offered Beavis and Butthead as teen role models and currently is the largest single purveyor of race-mixing propaganda to White teenagers and sub-teens in America and in Europe. MTV pumps its racially mixed rock and rap videos into 210 million homes in 71 countries and is the dominant cultural influence on White teenagers around the world.
Nickelodeon, with about 65 million subscribers, has by far the largest share of the four-to-11-year-old TV audience in America and also is expanding rapidly into Europe. Most of its shows do not yet display the blatant degeneracy that is MTV's trademark, but Redstone is gradually nudging the fare presented to his kiddie viewers toward the same poison purveyed by MTV.
The new boy on the megamedia block is Edgar Bronfman, Jr., president and CEO of Seagram Company, Ltd., the liquor giant. His father, Edgar Bronfman, Sr., is president of the World Jewish Congress. Seagram owns two large production companies, MCA and Universal Pictures (now merged under the name Universal Studios). Among its many other properties, MCA owns Interscope Records, the foremost promoter of "gangsta rap."
Bronfman became the biggest man in the record business in May 1998 when he also acquired control of PolyGram, the European record giant, by paying .6 billion to the Dutch electronics manufacturer Philips. With the expected revenue from PolyGram added to that from MCA and Universal, Bronfman will have the fourth largest media empire, with annual revenues around billion. One especially unfortunate aspect of the PolyGram acquisition is that it gives Bronfman control of the world's largest producer of classical music CDs: PolyGram owns the Deutsche Grammophon, Decca-London, and Philips record companies.
With three of the top four media conglomerates in the hands of Jews, and with a Jew in executive charge of the remaining one, it is difficult to believe that such an overwhelming degree of control came about without a deliberate, concerted effort on their part.
What about the other big media companies?
Rupert Murdoch's News Corporation, which owns Fox Television Network, 20th Century Fox Films, and Fox 2000, is the fifth largest megamedia corporation in the country, with 1997 revenues of over billion. It is the only other media company which comes even close to the top four. Murdoch is a Gentile Australian, but Peter Chernin, who is president and CEO of Fox Group, which includes all of News Corporation's film, television, and publishing operations in the United States, is a Jew. Under Chernin, as president of 20th Century Fox, is Laura Ziskin, a Jewess who formerly headed Fox 2000. Jew Peter Roth works under Chernin as president of Fox Entertainment. News Corporation also owns the New York Post and TV Guide, and they are published under Chernin's supervision. Murdoch told Newsweek magazine (July 12, 1999) that he would probably elevate Chernin to CEO of News Corporation, rather than allow the company to fall into the hands of his own children, none of whom are younger than their late twenties. It is hard to imagine a Jew giving a major media corporation to a Gentile underling when he has children waiting in the wings. For his part, Chernin was quite candid: "I get to control movies seen all over the world. . . . What could be more fun?"
Most of the television and movie production companies that are not owned by the largest corporations are also controlled by Jews. For example, New World Entertainment, proclaimed by one media analyst as "the premier independent TV program producer in the United States," is owned by Ronald Perelman, a Jew who also owns Revlon cosmetics and offered a job to Monica Lewinsky when Bill Clinton was trying to keep her quiet.
The best known of the smaller media companies, DreamWorks SKG, is a strictly kosher affair. DreamWorks was formed in 1994 amid great media hype by recording industry mogul David Geffen, former Disney Pictures chairman Jeffrey Katzenberg, and film director Steven Spielberg, all three of whom are Jews. The company produces movies, animated films, television programs, and recorded music. Considering the cash and connections that Geffen, Katzenberg, and Spielberg have, DreamWorks may soon be in the same league as the big four.
It is well known that Jews have controlled most of the production and distribution of films since shortly after the inception of the movie industry in the early decades of this century. When Walt Disney died in 1966, the last barrier to the total Jewish domination of Hollywood was gone, and Jews were able to grab ownership of the company that Walt built. Since then they have had everything their way in the movie industry.
Films produced by just the four largest motion picture companies mentioned above -- Disney, Warner Brothers, Paramount (Viacom), and Universal (Seagram) -- accounted for two-thirds of the total box-office receipts for the year 1997.
The big three in television network broadcasting used to be ABC, CBS, and NBC. With the consolidation of the media empires, these three are no longer independent entities. While they were independent, however, each was controlled by a Jew since its inception: ABC by Leonard Goldenson; NBC first by David Sarnoff and then by his son Robert; and CBS first by William Paley and then by Laurence Tisch. Over periods of several decades these networks were staffed from top to bottom with Jews, and the essential Jewishness of network television did not change when the networks were absorbed by other corporations. The Jewish presence in television news remains particularly strong.
For example, the executive producers of two of the three main network news programs are Jews. The executive producer of ABC's World News Tonight with Peter Jennings is Paul Friedman. The executive producer of NBC Nightly News with Tom Brokaw is Neal Shapiro. Until recently, the executive producer of CBS Evening News with Dan Rather was Al Ortiz, also a Jew. However, Ortiz moved to head the CBS "Special Events" coverage in February 2000, leaving the Evening News to a Gentile named Jim Murphy. If you prefer CBS This Morning News instead, the executive producer is Al Berman, who also is a Jew. Or if you get your news from CNN, the boss there is Rick Kaplan, also a Jew.
The Print Media
After television news, daily newspapers are the most influential information medium in America. Sixty million of them are sold (and presumably read) each day. These millions are divided among some 1,600 different publications. One might conclude that the sheer number of different newspapers across America would provide a safeguard against minority control and distortion. Alas, such is not the case. There is less independence, less competition, and much less representation of majority interests than a casual observer would think.
The days when most cities and even towns had several independently owned newspapers published by local people with close ties to the community are gone. Most of them were bought out or driven out of business by the mid-1970s. Today most "local" newspapers are owned by a rather small number of large companies controlled by executives who live and work hundreds or even thousands of miles away. The fact is that only about 20 per cent of the country's 1,600 papers are independently owned; the rest belong to multi-newspaper chains. Only 104 of the total number have circulations of more than 100,000. Only a handful are large enough to maintain independent reporting staffs outside their own communities; the rest must depend on these few for all of their national and international news.
In only 47 cities in America are there more than one daily newspaper, and competition is frequently nominal even among them, as between morning and afternoon editions under the same ownership. Examples of this are the Huntsville, Alabama, morning News and afternoon Times; the Birmingham, Alabama, morning Post Herald and afternoon News; the Mobile, Alabama, morning Register and afternoon Press; the Springfield, Massachusetts, morning Union, afternoon News, and Sunday-only Republican; the Syracuse, New York, morning Post-Standard and afternoon Herald-Journal -- all owned by the Jewish Newhouse brothers through their holding company, Advance Publications.
The Newhouse media empire provides an example of more than the lack of real competition among America's daily newspapers: it also illustrates the insatiable appetite Jews have shown for all the organs of opinion control on which they could fasten their grip. The Newhouses own 26 daily newspapers, including several large and important ones, such as the Cleveland Plain Dealer, the Newark Star-Ledger, and the New Orleans Times-Picayune; Newhouse Broadcasting, consisting of 12 television broadcasting stations and 87 cable-TV systems, including some of the country's largest cable networks; the Sunday supplement Parade, with a circulation of more than 22 million copies per week; some two dozen major magazines, including the New Yorker, Vogue, Mademoiselle, Glamour, Vanity Fair, Bride's, Gentlemen's Quarterly, Self, House & Garden, and all the other magazines of the wholly owned Conde Nast group.
This Jewish media empire was founded by the late Samuel Newhouse, an immigrant from Russia. When he died in 1979 at the age of 84, he bequeathed media holdings worth an estimated .3 billion to his two sons, Samuel and Donald. With a number of further acquisitions, the net worth of Advance Publications has grown to more than billion today.
The gobbling up of so many newspapers by the Newhouse family was in large degree made possible by the fact that newspapers are not supported by their subscribers, but by their advertisers. It is advertising revenue -- not the small change collected from a newspaper's readers -- that largely pays the editor's salary and yields the owner's profit.
Whenever the large advertisers in a city choose to favor one newspaper over another with their business, the favored newspaper will flourish while its competitor dies. Since the beginning of this century, when Jewish mercantile power in America became a dominant economic force, there has been a steady rise in the number of American newspapers in Jewish hands, accompanied by a steady decline in the number of competing Gentile newspapers -- primarily as a result of selective advertising policies by Jewish merchants.
Furthermore, even those newspapers still under Gentile ownership and management are so thoroughly dependent upon Jewish advertising revenue that their editorial and news reporting policies are largely constrained by Jewish likes and dislikes. It holds true in the newspaper business as elsewhere that he who pays the piper calls the tune.
Three Jewish Newspapers
The suppression of competition and the establishment of local monopolies on the dissemination of news and opinion have characterized the rise of Jewish control over America's newspapers. The resulting ability of the Jews to use the press as an unopposed instrument of Jewish policy could hardly be better illustrated than by the examples of the nation's three most prestigious and influential newspapers: the New York Times, the Wall Street Journal, and the Washington Post. These three, dominating America's financial and political capitals, are the newspapers that set the trends and the guidelines for nearly all the others. They are the ones that decide what is news and what isn't, at the national and international levels. They originate the news; the others merely copy it. And all three newspapers are in Jewish hands.
The New York Times, with a September 1998 circulation of 1,067,000, is the unofficial social, fashion, entertainment, political, and cultural guide of the nation. It tells America's "smart set" which books to buy and which films to see; which opinions are in style at the moment; which politicians, educators, spiritual leaders, artists, and businessmen are the real comers. And for a few decades in the 19th century it was a genuinely American newspaper.
The New York Times was founded in 1851 by two Gentiles, Henry J. Raymond and George Jones. After their deaths, it was purchased in 1896 from Jones's estate by a wealthy Jewish publisher, Adolph Ochs. His great-great-grandson, Arthur Sulzberger, Jr., is the paper's current publisher and the chairman of the New York Times Co. The executive editor is Joseph Lelyveld, also a Jew (he is a rabbi's son).
The Sulzberger family also owns, through the New York Times Co., 33 other newspapers, including the Boston Globe, purchased in June 1993 for .1 billion; twelve magazines, including McCall's and Family Circle with circulations of more than 5 million each; seven radio and TV broadcasting stations; a cable-TV system; and three book publishing companies. The New York Times News Service transmits news stories, features, and photographs from the New York Times by wire to 506 other newspapers, news agencies, and magazines.
Of similar national importance is the Washington Post, which, by establishing its "leaks" throughout government agencies in Washington, has an inside track on news involving the Federal government.
The Washington Post, like the New York Times, had a non-Jewish origin. It was established in 1877 by Stilson Hutchins, purchased from him in 1905 by John R. McLean, and later inherited by Edward B. McLean. In June 1933, however, at the height of the Great Depression, the newspaper was forced into bankruptcy. It was purchased at a bankruptcy auction by Eugene Meyer, a Jewish financier and former partner of the infamous Bernard Baruch, industry czar in America during the First World War.
The Washington Post is now run by Katherine Meyer Graham, Eugene Meyer's daughter. She is the principal stockholder and the board chairman of the Washington Post Co. In 1979 she appointed her son Donald publisher of the paper. He now also holds the posts of president and CEO of the Washington Post Co. The newspaper has a daily circulation of 810,000, and its Sunday edition sells 1.1 million copies.
The Washington Post Co. has a number of other media holdings in newspapers (The Gazette Newspapers, including 11 military publications), in television (WDIV in Detroit, KPRC in Houston, WPLG in Miami, WKMG in Orlando, KSAT in San Antonio, WJXT in Jacksonville), and in magazines, most notably the nation's number-two weekly newsmagazine, Newsweek. The Washington Post's various television ventures reach a total of about 7 million homes, and its cable TV service, Cable One, has 635,000 subscribers.
In a joint venture with the New York Times, the Post publishes the International Herald Tribune, the most widely distributed English language daily in the world.
The Wall Street Journal, which sells 1.8 million copies each weekday, is the nation's largest-circulation daily newspaper. It is owned by Dow Jones & Company, Inc., a New York corporation that also publishes 24 other daily newspapers and the weekly financial tabloid Barron's, among other things. The chairman and CEO of Dow Jones is Peter R. Kann, who is a Jew. Kann also holds the posts of chairman and publisher of the Wall Street Journal.
Most of New York's other major newspapers are in no better hands than the New York Times and the Wall Street Journal. In January 1993 the New York Daily News was bought from the estate of the late Jewish media mogul Robert Maxwell (born Ludvik Hoch) by Jewish real-estate developer Mortimer B. Zuckerman. The Village Voice is the personal property of Leonard Stern, the billionaire Jewish owner of the Hartz Mountain pet supply firm. And, as mentioned above, the New York Post is owned by News Corporation under the Jew Peter Chernin.
The story is pretty much the same for other media as it is for television, radio, films, music, and newspapers. Consider, for example, newsmagazines. There are only three of any importance published in the United States: Time, Newsweek, and U.S. News & World Report.
Time, with a weekly circulation of 4.1 million, is published by a subsidiary of Time Warner Communications, the new media conglomerate formed by the 1989 merger of Time, Inc., with Warner Communications. The CEO of Time Warner Communications, as mentioned above, is Gerald Levin, a Jew.
Newsweek, as mentioned above, is published by the Washington Post Company, under the Jewess Katherine Meyer Graham. Its weekly circulation is 3.2 million.
U.S. News & World Report, with a weekly circulation of 2.3 million, is owned and published by the aforementioned Mortimer B. Zuckerman, who also has taken the position of editor-in-chief of the magazine for himself. Zuckerman also owns the Atlantic Monthly and New York's tabloid newspaper, the Daily News, which is the sixth-largest paper in the country.
Those are the facts of media control in America. Anyone willing to spend a few hours in a large library looking into current editions of yearbooks on the radio and television industries and into directories of newspapers and magazines; into registers of corporations and their officers, such as those published by Standard and Poors and by Dun and Bradstreet; and into standard biographical reference works can verify their accuracy. They are undeniable, and when confronted with them Jewish spokesmen customarily will use evasive tactics. "Ted Turner isn't a Jew!" they will announce triumphantly, as if that settled the issue. If pressed further they will accuse the confronter of "anti-Semitism" for even raising the subject. It is fear of this accusation that keeps many persons who know the facts silent.
But we must not remain silent on this most important of issues! The Jewish control of the American mass media is the single most important fact of life, not just in America, but in the whole world today. There is nothing -- plague, famine, economic collapse, even nuclear war -- more dangerous to the future of our people.
Jewish media control determines the foreign policy of the United States and permits Jewish interests rather than American interests to decide questions of war and peace. Without Jewish media control, there would have been no Persian Gulf war, for example. There would have been no NATO massacre of Serb civilians. There would be no continued beating of the drums for another war against Iraq.
By permitting the Jews to control our news and entertainment media we are doing more than merely giving them a decisive influence on our political system and virtual control of our government; we also are giving them control of the minds and souls of our children, whose attitudes and ideas are shaped more by Jewish television and Jewish films than by parents, schools, or any other influence.
The Jew-controlled entertainment media have taken the lead in persuading a whole generation that homosexuality is a normal and acceptable way of life; that there is nothing at all wrong with White women dating or marrying Black men, or with White men marrying Asian women; that all races are inherently equal in ability and character -- except that the character of the White race is suspect because of a history of oppressing other races; and that any effort by Whites at racial self-preservation is reprehensible.
We must oppose the further spreading of this poison among our people, and we must break the power of those who are spreading it. It would be intolerable for such power to be in the hands of any alien minority, with values and interests different from our own. But to permit the Jews, with their 3,000-year history of nation-wrecking, from ancient Egypt to Russia, to hold such power over us is tantamount to race suicide. Indeed, the fact that so many White Americans today are so filled with a sense of racial guilt and self-hatred that they actively seek the death of their own race is a deliberate consequence of Jewish media control.
Once we have absorbed and understood the fact of Jewish media control, it is our inescapable responsibility to do whatever is necessary to break that control. We must shrink from nothing in combating this evil power which has fastened its deadly grip on our people and is injecting its lethal poison into their minds and souls. If we fail to destroy it, it certainly will destroy our race.
Let us begin now to acquire knowledge and to take action toward this necessary end.
Owners, managers, and corporate relationships change from time to time, of course. All of the names and other data in this report have been checked carefully and are accurate as of June 2000.
Original: Who Rules America