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The film is set sometime in the future and concerns Memo Cruz (Luis Fernando Pena), whose Oaxacan village is strangled by water privatization and U.S. military intervention vis-a-vis drone airplanes. Memo must find work in the north, but physically entering the U.S. is no longer possible: the border has finally become impenetrable. Instead, he is hooked up to a virtual reality system in Tijuana, where he controls a robot at an American construction site. (Mexican workers manipulate robots at other distant locations, too, including slaughterhouses.)

At a recent preview, director Alex Rivera remarked: "It's amazing to me how things that five years ago would seem surreal, or would seem like it should be in a movie and be bizarre or disgusting, or things that were in a movie called Terminator--this idea of robot warfare--that used to be science fiction, and now there it is in the news, not even on the front page anymore," Rivera said. "We become so accustomed to it, but I'm hoping this movie makes some of those things ugly and bizarre again and that we can talk about it." Full story: Alex Rivera Discusses His Film Sleep Dealer by RP



I thought Fuel was very well-made, important, and informative--there's a lot to absorb. I don't agree with every point of view expressed in the film, but I realize the movie has to communicate to diverse people. . . . Still, the movie features a lot of provocative ideas like vertical farms (skyscraper-like farms that would exist in the middle of cities and other places where space is scarce), and there is some great historical information. For example, details of Rudolf Diesel's sudden and very suspicious death is discussed as well as the long and insidious history of Standard Oil (which was broken up 100 years ago but is now reunited as Exxon-Mobil). Also, a compelling case is made that Prohibition was really about stopping a car that Ford put out that ran on ethanol. As soon as Ford gave up on this car, Prohibition was lifted.

. . . I was glad to see depictions of monorails in the film (though they're never discussed). I think they could be a solution to some of our problems (at least until our population crisis is dealt with--if it is ever dealt with), as they have been in other countries for a century. . . .

Article: "Fuel" (review) by RP




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